Artist Statement

I paint to give expression to the experience of inhabiting space.

I create geometric painted objects that embody a poetic physical translation of place. I combine abstraction with observation using forms found in vernacular architecture and the landscape such as billboards, signs, fields, water, and barns as source material. Through a slow process of mining a site for information, I draw on location, remembering specifics about each place by measuring distance and creating the illusion of light in each visual expression. I maintain a practice, often incorporating memories of observed landscapes into my paintings and isolating color events or single gestural marks. I approach each canvas or surface seeking an equivalence to the beauty found between the far away spaces and the details. The experience I want to translate is often invisible, a continuous flux between what is seen and what is known. In my current body of work, I use my own sketches, and color notes collected over twenty years to create new visual objects that reference a collected landscape and my stored visual memory.

 

 
 
Carrie Patterson’s colors are soft yet saturated with pigmented light; her paintings have a certain quality of subtle illumination emanating from them. Each area of color is equally filled with light and contained gently but securely within its own distinct space. Like the rooms of a house or the people within that structure, they depend on each other for their shape and placement. Such is the structural intimacy within these composition; one cannot imagine how the entirety could hold up if even one of the elements went missing.
— Jeanne Wilkinson (Exhibition Catalog for New York Painters, Museo de Arte Moderno, Bogota Colombia, 2005)